Fun-A-Day 2013: Opening this week!

If any of you are in the Chicago area you should come by the opening for the Fun-A-Day Exhibition! This Friday night @ the Threadless store!

Participants in Fun-A-Day do one thing everyday for the month of January. Lots of people make stuff but I've seen others do a specific action or go to a specific place: as long as you can document what it is you choose to do. At the end of the month, a show is organized and everyone who wants to show their work is invited to.

This year I'll be showing all of my sky swatch photos from the month of January. My awesome roommate made tiny wood sculptures every day and she'll be showing those, too.
The show will be up for an entire month... but who doesn't love an opening party! Come by and say hello if you can!

The First 16 Days of 2013 in Sky Swatches

(Click image to view larger on flickr.)

Lillstreet is starting to have monthly critiques of personal work. I am so excited! It’s been pretty tough keeping myself in a regular studio practice- especially since I moved to Chicago and have had to spend 36hrs a day making stuff to make money. I’ve been threatening/promising(myself) to go to grad school… but making a new body of work has been a daunting prospect. I’m hoping these meetings can provide some peer support and artistic motivation.

In preparation for our first meeting on Friday, I compiled all of my 2013 sky swatches in the hopes that it would help me gain new perspective on the project and give me some guidance as to where to go next.

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The Potluck was a huge success! It was phenomenal to see other people's work! It's funny:you can work beside someone for years and yet getting to see what they make and how they make it allows you to know them so much better.  And it felt soooo good to be talking about my work. That might have been my first real critique in... five years? (Yeeeesh not okay.) I have all these ideas in my head and I want to make them aaalllllll.... I guess we'll see how much I can make time for.

The consensus seems to be, though, that I should definitely do the swatching for the whole year. Even at 5min a day... I have to admit, the prospect seems daunting. I can already see, however, how the act of doing it daily has changed (and is changing) not only my relationship with the sky but also how I plan my day. I keep finding myself scheming a new route to a familiar destination just to get a new swatch location. It could be interesting to see how a whole year of this would change the way I live in the world.

(I haven't been posting the swatches daily here but I have been posting them over at my tumblr.)

Fun-a-Day 2010! This Weekend!

It's that time of year again!


And unlike last year... I actually finished my project AND got it turned in on time! Which, let me tell you, was no small feat. The drop off day was last Saturday and as those of you from the Philly area can attest... we had a bit of snow that day.

So I bundled up my knots and trudged them the three blocks to the drop off site. Snow up to my knees! It was beautiful!

And the project itself came out pretty well too:


Raph let me use her cursive typewriter to type the labels for all the knots (date, fig #, historical name.) And after only a few embarrassing incidents with a can of gold spray paint...


Come on out on Friday or Saturday to see all the amazing projects! There are always SOO many creative collections: the show is always worth coming to West Philly for.



*** in other news!! Because the snow blanketed the city last weekend, the opening event for the Text/Textile Show has been POSTPONED until this Sunday, Feb 14th! Be my Valentine and come see my work! 1-5 pm, 704 Catherine st at the DaVinci Art Alliance.

Thoughts On Knots

"Down through the ages the tying of knots and the making of rope have played highly important roles in the life of Man. That there has always been a need for rope or cord of some kind can be readily appreciated. Since rope could have served but few useful purposes unless it could have been attached in some manner to the things it was desired to pull, life, or secure, Man, at the time of his first conception of the use of rope, must have conceived of some means of tying knots."

Thus begins the introduction of Raoul Graumont and John Hensel's Encyclopedia of Knots and Fancy Rope Work: Fourth Edition (1942). And although the history given in their brief preface is entirely dated, some interesting tidbits were intriguing enough to be worth repeating here.

The Making of Rope! (as of 1942, remember... Mostly, I just loved the old-school, industrial photos that the book posited as "how to make rope" as if it were the only way.)

Step one: Bales of fiber are put through a series of carding machines that transform the "hemp" into a consistency referred to as "silver.")

Step two: Through multiple cardings, the "silvers" are separated into smaller strands and those strands are spun into yarn.

Step three: Individual strands of yarn (of differing, specific guages) are plied together to make rope.

Step four: Multi-stranded ropes are again plied to create thicker, stronger, finished ropes.

Step Five: Uhm.. this diagram shows more plying? The photos aren't actually labeled all that clearly...

Step six: Finished ropes are wound onto spools to maintain their twist and tensions.

Knots: Symbolism and Superstition

I have found, through my informal investigations of history and myth, that objects with the most important functionalities are often associated with the most powerful symbolisms and superstitions: a correlation that is exemplified perfectly by the history of knots.

One example of this is the Early Egyptian, Greek and Roman practice of omitting knots in any of their artistic renderings. No knot was illustrated in their paintings, even where they very clearly should have been. Instead, rope was draped over the spot to indicate the existence of an absent knot. It's theorized that the reasoning behind this tradition was the supposed relationship of rendering to reality: were the knots to be permanently embodied in art the knot it represented in real life would thusly be permanently tied. Since knots were used as temporary holdings for farmers, sailors, etc. the inability to untie a knot would have disasterous consequences.

Similarly, among the Lapps, certain Germanic races, and the aboriginals of Borneo (as well as other ancient peoples) there was a strong superstition against pregnant women wearing knots or knotted garments. It was thought that the presence of a knot would cause complications during childbirth. In the more superstitious cases, even the husbands of pregnant women would abdicate the wearing of knots until the child was born. In some sections of Scandinavia even use of words related to knots were seen as having great power: parents with a large number of children would often name a son "Knute" or "Canute" (translations of "knot") in the hopes that the name would act as a form of birth control.

Among some European tribes, there was a belief that knots had the ability to either cause or cure illness. One such superstition was that a fever could be cured by tying knots in the bows of a willow tree: one knot for every day of fever. Then by the incantation of certain words the tree would acquire the fever and the patient would be cured.

Witches and Wizards were often considered to be able to control the magical powers of knots. Sailors would go to a witch or wizard to purchase "the wind tied up in knots," embodied by a piece of rope tied into three knots. In an emergency, these sailors were told that by untying the knots in sequence they could release the winds: first a strong wind, then a gale and finally a hurricane. (Apparently, there were risks that came along with the use of such powerful magic.)

Knots have also led to numerous common words and phrases, such as "cutting the Gordian Knot" (a bold and direct way of dealing with a complicated project), knots per hour (the method of measuring boat speed- actually derived from the use of knots) and the literary term "denoument" (a french translation of unknotting or unravelling that refers to the point in a plot where complicated things become clear).

Oh man.. I could go on and on. There are infinite applications for knots, cultural histories that range the globe and span history, even a whole branch of mathematics that deals with "knot theory." I had no idea that by committing to this project that I would be presented by such a wealth of metaphor... which just proves yet again why i love textile so much: The history of our culture, of humanity, is tied up by textiles. (Pun intended.)


**Sources consulted:

Encyclopedia of Knots and Fancy Rope Work: Fourth Edition (1942), by Raoul Graumont and John Hensel

Rigamaroles & Ragamuffins: Unpicking words we derive from textiles (2007), by Elinor Kapp

wikpedia entry for "knots"

Happy New Years and Merry Fun-A-Day 2010!

I've been a little busy lately with grad applications (done! now onto the fafsa... grossss) and other crafty stuff but that doesn't mean I've forsaken Fun-A-Day! (<-- Check out some of the other awesome projects-in-progress at the ArtClash website!)

Fun-A-Day 2010: Knot-A-Day!

Over the summer I met a fantastic artist named Debra Folz who had a contagious infatuation with knots. She had brought a great knot dictionary with her to Haystack and we even used one of the knots on our group project. As the summer wound down a bunch of us decided we wanted to carry the project on into the fall... but... let's just say that none of our momentum stood up to the test of our real lives. Ooops! So when Fun-A-Day rolled around, what better than to pick up where we left off in August?


I actually had kind of a hard time finding a good knot dictionary. The Philadelphia Free Library had alarmingly few and none to my liking... and the internet had surprisingly few diagrams that weren't specifically for camping or fishing. So when I was in Providence last weekend I picked up Deb's dictionary- the same one we had perused so enthusiastically over the summer.



Look at the super cool diagrams!! You know how much I love diagrams... mmmm... Each knot has it's own name and the descriptions are pretty hilarious. Get this one:

"Fig. 60: The Two-Strained Wall or Japanese Granny is formed by walling the strands up through each others parts, as illustrated in PLATE 53, Fig. 2. This is the Japanese method of tying a Granny Knot."

Walling the strands up? What does that even mean?? Nuts. But so much fun!

I love the way the knots kind of look like dna couplets...

My plan is to mount and frame each knot so as to accumulate a collection of well labeled knots for the show in February. How nautical, no? Nineteen days down... I'll keep you updated...