I'm not an academic but I am a queer person who loves pop culture and has been wishing and hoping for a show that has as many gay themes as Glee has. I was ecstatic with Kurt's first season coming out episode- especially with the way they are writing his father. As the second season progresses, however, I seem to find myself getting angrier and angrier after each episode.
But somehow I never leave Buffy feeling the same sense of betrayal and disappointment. Let's take a look at the episodes in question and the themes they share.
1.) Closeted Gay Bullies
Both shows feature bullies who, it turns out, are only acting out aggressively to cover their own closeted homosexuality. Both bullies eventually get confronted and end up outing themselves in different ways. Let's take a look:
(Rape Kisssss!!!!! Not Okay!!!!)
Buffy's bully pulls this 24hr 180. The next time we see him he's picking up a girl's dropped schoolbooks and thanking Xander for helping him come to terms with the truth. Ok, so Xander's homophobia is kind of an issue but over all the episode has a positive message. Glee's bully freaks the fuck out, violates poor Kurt and continues being a jerk. Awesome.
2.) Inappropriate Kissing and How to Handle It
Willow wants to kiss Oz- secretly to make Xander jealous- but when she comes on to Oz, he turns her down. Articulately. In Glee? Neither Kurt or coach Beist has been kissed by someone they like. When they confide in Blaine and Mr. Schu respectively, the characters get different responses.
(Kurt's face reads: "Damnit, Blaine, I don't want a sandwich, you jerk. I want you to kiss me already.")
(Mr. Schu's face reads: "I'm gonna have to kiss this woman in order to keep her from quitting and leaving me terribly guilt ridden.")
(Mr. Schu's face reads: "I'm gonna have to kiss this woman in order to keep her from quitting and leaving me terribly guilt ridden.")
Oz tells Willow that he wants their first kiss to be perfect- and he says it in a way that diffuses the situation and makes her feel wanted. I think Glee's images speak for themselves.
(*Okay, technically this scene is from the episode "Innocence" but still.)
3.) The Fight for Feminine Identity/Strength
3.) The Fight for Feminine Identity/Strength
Each show also highlights a female character who's femininity/strength is questioned. Glee's butch football coach, Beist, is made into an anti-sex symbol while Buffy is confronted by an uber-masculine hunter who vocally doubts her ability to defeat a roaming werewolf. (Yeah, the shows are a little different- but the comparisons hold!)
After safely capturing the werewolf and proving her abilities, Buffy even gets a chance to show off her strength. Beist gets her femininity (and her JOB) handed back to her by an uncomfortably awkward Mr. Schu and a handful of jacket-clad, pop singing and dancing highschool boys. Uuuuuugh.
In the midst of the "It Get's Better Movement" we are calling on pop culture to help us provide queer youth with alternative images of sexuality and to give them hope for the future. But tv is not getting better. From what we have seen here, it's getting worse. We are too rushed to acclaim anything gay on tv that we often miss what's really going on. Yes, we have more gay characters on television than were available in Buffy's hayday. We had Ellen, we had Will and Grace and yes, we have Kurt. BUT- We need to be having new conversations- not worse and less nuanced versions of the conversations we were having more than 10 years ago. Was the Hellmouth in 1999 really that much better than Ohio is in 2010? Ouch.