Magic Ginny Weasley Socks

(I started knitting these socks in, like, November. Bad, Nora, for not finishing them sooner.)

In the interest of transporting as few UFOs (unfinished objects) half way across the country, I manged to find the little bit of time over the weekend that I needed to finish my languishing Magic socks! Why are they magic, you ask? Well I'll tell you. They are magic for oh so many reasons.

Reason 1: Harry Potter Sock Yarn!


The company Opal, who's known for making brightly colored, self-striping sock yarns, put out a line of Harry Potter color ways a couple of years ago. They're kind of pricey ($18/ball!) so I had put off buying one for a long time. But in the end, let's be honest, I'm a sucker for anything knitting AND Harry Potter related. (The line is no longer being manufactured but you- and by you I mean I- might still be able to find some at local yarn stores.) I chose the colorway for Ron Weasley but I'm choosing to think of these socks as Ginny Weasley socks because, hey, she's way hotter than Ron.Reason 2: Self Striping Sock Yarn!

It was my first time knitting with self-striping yarn. The pre-measured and dyed colors allow the pattern to emerge with no effort by the knitter! (Don't think about it too hard- I just trust that the Opal company knows what they're doing. And they do.) Magic!

Reason 3: The Magic loop!
That's right: I knit these socks AT THE SAME TIME on ONE PAIR of circular needles. SOOO COOOL.


It's a little confusing at first, but once you get into the rhythm of it- and learn to mark which sock you started on originally so you're always knitting the same number of rows of each- it's pretty simple. It's great for people who have a tendency to knit one sock and somehow never get around to knitting the second. (Ooops.) Also, it's handy because you're not gotta accidentally use more than half of your yarn on the first sock, run out before finishing your second and not be able to find more. (Ooops, again...)
Reason 4: Toe Grafting!

Yeah, that sounds a little dirty, doesn't it? Anyway, grafting (also known as the Kirchner Stitch) is a method of casting of that creates a new line of knitting which is indistinguishable from the rest of the rows. Hence: magic!


So FINALLY- after months of these socks sitting around my house mocking me for not working on them.. they're done! And awesome! I can't wait to wear them around the house in my first cold cold Chicago winter.

Fall Projects and Announcements!

So... in all that free time I've had lately- what with the full time job, a psuedo-social life, and working on my grad school applications- I've somehow also managed to keep up with my crafting! ("Somehow" meaning that this is how I've been procrastinating from doing all that other stuff.) Here's what I've recently finished working on:

Chunky Braided Scarf!

After the craziness that was the knitting at Haystack, I was sincerely looking forward to starting fall with an easy, fairly thoughtless knitting project. So, I grabbed the handspun I had bought at the Maryland Sheep and Wool fest and hit ravelry in search of a super-simple scarf pattern.


The yarn, made by Folktale Fibers in Maryland, was this great combination of cotton and soysilk in brilliant purples and muddy browns. I knew that I probably wouldn't have enough for the entire scarf but, deciding to maintain the integrity of the handspun, I opted to make it a half and half scarf. Also, because the fibers in the original yarn were vegan (not that I am, but, y'know) I decided to hold true to that while choosing my contrastisting finishing yarn. So, the light purple and brown that make up the second half of the scarf are both Blue Sky 100% cotton!


Although the pattern looks complicated to those who aren't used to knitting cables, knitting the scarf was really quite simple. On the first row of cables (3) the cable is knit in front of the work, causing the cables to pull in one direction. The next row (2 cables) is knit in back of the work, causing the cables to pull in the other direction. (Actually, each of the purple and brown stripes are one repeat of the pattern!) When repeated, and knit without a purl border, the work looks like a giant braid. Like challa bread! Remind me to knit up some challa some time.

All cozy and ready for fall! (Any day, now, fall... feel free to get cold any day.)

Spool Swap Quilt!

Since April, I have been participating in a quilt square swap at my local fabric store, Spool! Every month, members of the swap made and exchanged 12 9-blocks measuring 6". Seeing as I already have more than my body weight in tiny Viv Pickle scrap fabric, I decided that I wouldn't buy any new fabric for my squares! So, I only used recycled and salvaged materials. (It meant that some of my squares didn't even really match themselves, which I think made some of the more uptight quilters a little twitchy but, it was an important statement for me to feel like I was making.) We started with an inspiration fabric with the hopes of keeping the fabric selections at least a little cohesive but...

I guess it might not have been such a great choice to pick one of the Kaffe Fasset paperweight collection as inspiration! So many colors! Actually, I loved all the amazing colors and patterns that I was getting every month... and I had a blast laying them out in different arrangements; searching for the perfect chaotic composition. It had seemed obvious to me to put all the colored squares together, medallion style, and work with a border to make up the extra space, but I went through a period of quilt-anxiety after seeing Spools swap quilt. Instead of grey fabric, Laura chose a cream color and bordered each individual square by 2" on all sides. The forthcoming quilt is sooo different from mine! Much cleaner and more proper looking. But... once I was finished I got over my anxiety and really started to love it! (Hopefully we'll get a chance to see how some of the other swap-members decided to design their quilts.)


It's on my bed and Ripley loves sleeping on it as much as I love sleeping under it! Everyone should be so lucky as to have a hand made quilt on their bed. Love love love.

And, because Allison Smith's mom says that you should always sign your quilt somewhere, mine got a signature and date.

Renegade Craft Fair, Chicago 2009!

Ok, so this isn't as much a finished craft as it is a crafting announcement! It is now official: I will be sharing a table at this year's Renegade Craft Fair in Chicago with the illustriate comic artist Lucy Knisely and maker-of-beautiful things, Nellie Kurz! The fair will be held on December 5th and 6th, from 11am- 6pm, in Chicago's Pulaski Park Fieldhouse. I will be selling more of the usual: wallets, belt bags, ipod cases (with belt-loops!), computer cases, and small zippy bags out of a fantastic collection of fabrics. How fantastic, you ask? Well.. here's some of the coool stuff i've collected so far!

Yeah,that's right. That last photo included birds, mermaids, gears, robots, ray-guns AND concession stand snacks! You know you're going to want this year's stuff. Just saying.

I'll also be selling a hilariously ecclectic collection of shrinky-dink buttons and a top secret postcard collection soon to be released.... curious? Yeah, I know you are. I'll send out more information about the craft fair as it gets closer!



Amazing! and busy. Whew! Allright, now I gotta go get some more stuff done. Thanks for reading!

Haystack '09: Part 2

Haystack has a way of collecting the most interesting teachers, working with the most challenging media. The classes never fail to push the boundaries of their own fields and, in the process, infinitely expand the minds of their students. This summer's 6th session Knitting class fit snugly into that tradition:

Knitting: Wool Equals Bronze/ Time Does Not Equal Money, with artist Janet Morton:

"This workshop will explore hand knitting as a valid and vital sculptural/installation medium and as an alternate means of measuring time. Through a series of slide talks, discussions, and exercises, participants will be encouraged to playfully and critically examine their relationships to the natural world, everyday objects, and equations that link time to “value”. Experimentation with materials, scale, technique, and ideas will be encouraged. Participants will develop personal projects, and will be invited to work collectively on an onsite project."


Members of the class, immediately bound by the desire to eschew the expectations that we would be producing socks and sweaters, dove into assignments that forever altered the way we approach about our craft.

First let me say that working with Janet Morton was an absolute DREAM. As an artist, Janet is incredibly prolific and intelligent... but on a more basic level, she is totally approachable, always ready with a story about "the last time she was in India..." or "that one time I was living in the Canadian Bush planting trees..." I had done a fair amount of research into her work before leaving for the class, but having her there, ready to answer questions and talk about her art/process was hugely enlightening. Each piece I had already fallen in love with ended up being even more epic and smart than I had imagined. And she was fun! Accompanied by her two rambunctious children and her outgoing and comical husband, the whole family brought a feeling of familial whimsy to the studio that was somehow perfectly fitting for a class that was challenging the traditionality that knitting implies.

We started the first day of class with a Never Before Played Surrealist Knitting Game! Here's how to play: The group starts with a large selection of yarns and needles and each participant gets a bag big enough to hide a small project. 1. Cast On! Any wool, any stitch, any number of stitches. After working for 30 min, place your project in the bag and put the bag into the center of the table. Swap bags! 2. Change at least one thing. color, wool, type of stitch, inc or dec, needle size, etc. After another 30 min, swap bags again! 3. Repeat step 2. 4. The fourth collaborator has a whole hour to complete the project and cast off from the needles.


This experiment was a great way to immediately establish that knitting does not always have to be functional, and that even abstracted, bizarre objects can carry as much meaning and importance as a traditional garment. (Maybe even more.) We also learned that knitting takes a long time and a half hour isn't long at all. It was great fun!

Assignment 1: Knit an Object- It's one thing to knit a 3d sock or sweater, but it's another thing entirely to knit... an object... an everyday item that never in the world of normal life be associated with knitting. Each student in the class chose an item to replicate with the option to change it's scale.

My own Sublime Stitching Scissors.

Patty Barnatt's Electrical Cord!

Jennie Caulfield's Tree Bark with Lichen. Amazing replica...

Valerie Shapiro's Nut and Bolt.

Leslie Sudock's Collapsible Cups

Everyone made amazing objects; they're not all here, but some others included wire cutters, a hairbrush, a metal hook with chain, and a couple beautiful seashells. We found that this was an opportunity to knit in a more painterly fashion: less planning, more reacting to color, shape, and size.

Assignment 2: Knit a Word- As an artist who deals a lot with text, I found this assignment especially exciting. So much meaning and association come with the choice of even a single word...

Mine are the giant "personally, " and the tiny "miss you (heart)" postcard at the bottom.

Jeanne Vaccaro's "Cruising Utopia". I believe the "utopia" is handspun.

Assignment 3: Knit a Circle out of Wire- This assignment provided one of the biggest technical challenges of the session. It turns out that knitting a circle is kind of hard. Tubes and hats, fine, but to start with only 3 stitches and then to figure out the right ratio of increases to make a flat plane is downright mathematical. Factor in the use of a totally non-plyable material like copper wire and it verges on downright impossible.


In fact... some people gave up on the flat plane entirely. But what a beautiful outcome!

Assignment 4: Knit a Plastic Enclosure for a Natural Object- Janet provided the class with recycled clear plastic milk bags. (Apparently, Canadians buy their milk in bags. Silly Canadians.) The idea for the assignment was to force the student to deal with the juxtaposition between the human made plastic and the natural world. I had hoped to be able to do a site-specific installation of a knit plastic camping tent for a baby spruce tree, but my TA duties kept me from having the time.

Assignment 5: Giant Knitting Needles


In order to create her giant-sized pieces, Janet has developed these equally giant-sized circular needles! We started with 3/4" wooden dowels and plumbers tube and a few hours of sawing and whittling later, we each had a set with which to work on... drumroll, please...

Assignment 6: Group Project! - We started with a few general ideas: we wanted to create an outdoor, architectural space and the theme of "home and away." Janet had ordered a ton of yarns in the palette of Haystack: natural tones of browns, greens, grays and blues. Trees, moss, clapboard cabins, the sky and the sea. Even without a concrete plan we knew that we were going to need a ton of yardage... so we knit away on our giant needles while we brainstormed.

Let it never be underestimated how difficult a group project can be. To be honest, I think it only gets harder the older we get. Everyone came to the table with different thoughts and worries... some conceptually based and some about logistics. It seemed like we were never going get things figured out: how on earth would we be able to build such a huge structure in just a week? What should it look like? Should there be text? So many things to worry about. But I think our biggest break came when Janet discovered the Deer Isle Dump.

(Brece, Mary Ellen and Janet. All wearing gloves.)

No, really. I said Dump. Janet realized that perhaps the easiest and most appropriate material for the base structure for our piece was Fisherman's Rope... and there was plenty of that to be found at the dump! Unfortunately, the dump smelled absolutely terrible... and so did our new rope collection!

We let the rain and summer sun do most of the cleaning for us. Which actually worked really well...
We took stock of what we had collected by measuring each piece of rope...

Tagging them... and then, because we were all the same kind of nerdy...


Organizing them by color! How very satisfying... With that done, we were ready to start on the architecture.


After getting permission from Haystack's director, Stu, we decided to utilize an unused hexagonal platform as our installation site. The platform had originally been intended as an ampitheater of sorts but, by the time we got there, it was mostly being used as a cell phone station. We thought this might be a better use of the space.

Deb, ultimate fan of knots, looked up the perfect sailors knot to use. It was like macrame-ing a giant lobster pot.

We made sure to keep an entrance (exit?) so that viewers could experience it from the inside as well as the outside. (Also so that we could escape.) And then it was time to combine the knotted structure with the knitted pieces.

(Janet working on attatching my giant-sized version of the Nelly Feather and Fan scarf! Cheers, Nell!)

Utilizing every piece of knitting and stitching them onto the structure with mossy yarn until...

We had created a fully interactive, fully enclosed space. Participants could walk all the way around the fuzzy structure or enter through the door. We all felt it was necessary for the piece to be open and interactive, so we placed a log-seat on the inside and provided giant knitting needles and yarn.

We decided to call the piece I Am From which was the title of a writing excercize we used during the brainstorm and design process. I Am From meant something different to everyone of us that worked on it, but it also represented teamwork. In the face of all the odds- differing opinions, technical logistics and the ever present battle against time- we managed to create something monumental. We surmounted all the obstacles that come with working in a group and created something that we could all revel in. It came from all places: home and away. It was lovely.

Sheepies and Wooliness Festival '09!

This past weekend was the 36th Maryland Sheep and Wool Festival! So I trundled down to Baltimore to see my excellent friend Elisabeth and check out the sheepies and the wooliness!

The festival is held annually in West Friendship, MD, at the Howard County Fairgrounds and is, unless I'm very much mistaken, the largest Sheep and Wool Festival in the country!

We got to see lots of animals of varying fuzziness:

Baby Alpacas! With really funny haircuts.

Baby goats on lawn chairs!

Unfortunately groomed Llamas...

And, of course, SHEEPIES!! Here's Madame Elisabeth nuzzling a lovely ewe.

Baaaaaaahh....

This is a Jacob Sheep! It has two sets of horns! It's like an extra set of handles!

I spent quite a long time petting this sheep on the muzzle... it was so awesome. And I got to feel it's horns: they were totally warm! Of course I knew that their horns were a part of their body but I really never expected them to be... warm... it was totally weird and awesome.

Oh.. and we also spotted... A nun.

A nun in combat boots.

!!

She was so cool. She was clearly there by herself and even though I suggested a couple of times that we introduce ourselves and make friends... it almost didn't seem appropriate.

Y'know... inappropriate like getting stealthy cell phone shots of her all over the festival.

Holy woman in boots. Lovin' the sheep. And I'm lovin' her.

But besides stalking women of the cloth who love cloth, there were also hundreds and hundreds of amazing fiber booths! Yarns, spinning fibers, spinning wheels. I was in HEAVEN. (Much like the nun. What, too much?)

I even ran into the woman who sold me my spinning wheel! She was there representing the Green Mountain Spinnery of Vermont. It was great to see her and she told me that I could take a class or two from her when I'm in New England this summer! YES!! It's exactly what I've been looking for!

Oooh.. and there were these CRAZY, portable spinning contraptions...

It totally made me think of tinkers and traveling Gypsies. Awesome...

So... I bet you're wondering how much moolah I dropped, right? Not as much as you'd think! I exerted much self controll, thank you very much. I bought a pin that says "Knit Addict," a couple of note cards, a small bag of spinable sparkle, and ONLY ONE SKEIN of yarn! But, oh, was it worth it:

Oh man, it's a hand-spun yarn made of 50% recycled bamboo and 50% organic cotton... so great. Can't wait to knit it up!

Yay Sheep and Wooliness! Thanks, Elisabeth, for a great weekend!